评论区新增二级回复样式-HCRM融媒

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评论区新增二级回复样式《卷耳》原文翻译及赏析_作者诗经采采卷耳不盈顷筐嗟我怀人彼周行通置陟彼崔嵬我马虺我姑酌彼金维以不永怀陟彼高冈我马玄黄我姑酌彼兕觥维以不永伤陟彼矣我马矣我仆矣云何吁矣
《妇病行（妇病连年累岁）》原文翻译及赏析_作者两汉乐府妇病连年累岁传呼丈人前一言当言未及得言不知泪下一何翩翩属累君两三孤子莫我儿饥且寒有过慎莫笪笞行当折摇思复念之乱曰抱时无衣襦复无里闭门塞牖舍孤儿到市道逢亲交泣坐不能起从乞求与孤儿买饵对交啼泣泪不可止我欲不伤悲不能已探怀中钱持授交入门见孤儿啼索其母抱徘徊空舍中行复尔耳弃置勿复道
《论诗三十首·十三》原文翻译及赏析_作者元好问万古文章有坦途纵横谁似玉川卢真书不入今人眼儿辈从教鬼画符这首诗是批评卢仝的追求险怪的诗风中唐时追求险怪诗风的主要是韩孟诗派韩愈的诗风的主要特点是深险怪僻好追求奇特的形象他善于捕捉和表现变态百出的景物展开丰富奇特的想象怪幻诡谲的构思创造匪夷所思的形象以文为诗用奇字造拗句押险韵避熟就生因难见巧韩孟诗派开一代诗风在创造出雄奇险怪的意象在反对传统锐意创新方面做出了突出的贡献但也难免流入另一种险怪艰奥拼凑堆砌玩弄技巧的形式主义卢仝受到韩愈的影响诗作过于好奇逞怪元好问否定了这种诗歌风格认为这种创作是鬼画符
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